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Queen Esther and King Ahasuerus, wool and silk, Flemish XVc fragment from the center of a much larger piece, probably from a set of four to six tapestries narrating the story of Esther Ahasuerus; warp undyed wool, 5-7 ends per cm., weft dyed wool and some dyed silk, 20-32 ends per cm.

Esther and Ahasuerus, c. 1460-1485

Flanders

Not on View

Map of the World, from "Theatrum Orbis Terrarum" (Theater of the Whole World), Antwerp, 1570

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View
two shepherds with flock of sheep both looking left; front shepherd seated on a rock; second shepherd leaning on stick

Print, c. 1705

Jacques Coelemans; Artist: After Michaelangelo da Caravaggio

Not on View
seated man wearing a coat with a wide collar and knickers; man has drapery over his PL shoulder; long curly hair; head lightly sketched, not fully completed

Portrait of an Alderman, 17th century

Attributed to Anthony van Dyck

Not on View
two men fighting; Hercules pressing his PR foot on Discord reclining in a foreshortened pose; Hercules raises a club over his head; putti flying above Hercules places a laurel wreath over his head; Hercules wears lion's skin; Discord has snakes in his hair and holds a snake in his PL hand; received framed and glazed in 17th-century frame

Hercules Triumphant over Discord, 1633-1634

Christoffel Jegher; Artist: After Peter Paul Rubens

Not on View
ink with red wash; women with jugs and baskets at R; male figures with camels at L; seated figure seen from back, LLC; city with buildings and sculptures in background at R

Laban and Rebecca Receiving Eliezer, 1562-1563

Maerten de Vos

Not on View
landscape with mountains and city on the water at Left, trees at Right; Madonna and Child, donkey and three other figures in Lower Right Corner

Imaginary Landscape, after 1600

Follower of Jan Brueghel the Elder

Not on View
child reclining near a cannon dangling a long, thin object in PL hand and gazing upward; baby at L crawls over cannon balls near cannon

Two Naked Children Near a Gun, c. 1612-1655

Cornelis Schut

Not on View
central scene of two hunters with three dogs attacking a stag; other dogs and figures on horseback and running in background; border with figures, putti, flowers, fruit and swags

Hunting the Stag, mid 17th century

Unknown designers and cartoonists, Flanders

Not on View
Silenus sleeping at center, with his PL leg over a jug; two small satyrs asleep to Silenus' right; three women laughing at Silenus--one at right squeezing bunch of grapes over his head; archway with figures carrying basket of grapes at left; tree at center

Drunken Silenus, 17th century

Gerard de Lairesse

Not on View
couple walking, holding hands; male at L wears a badge and rests PL hand on a crutch, swinging his wooden peg leg forward; woman at R walking with a crutch with footless R leg forward

The Lame Dancers, from La danse des estropiés, Plate 10, 1538

Cornelis Massijs

Not on View
two trees with intertwined trunks at right with walking man with staff over his shoulder; boat with two figures at bottom center; house at center with figures, wagon, and horses; boats at left in distance; village at right in distance

Traveler passing two large trees, mid 17th-century

Anthonie Waterloo

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seated woman playing a lute with her PL foot on two books and various musical instrument (horns, stringed instruments, harp, tamborine) on a table and on the wall; text at bottom

Musica, from "The Liberal Arts", late 16th century

Jan Sadeler I; Artist: after Maerten de Vos

Not on View
Jupiter as a satyr (his PR animal leg faintly visible in deep shadow) with his PR arm around the hips of sleeping nude Antiope, with her arms above her head; oil lamp and tambourine, ULC; curtain behind figures' heads; tree, ULQ

Jupiter and Antiope, 17th century

Gerard de Lairesse

Not on View
seated heavy-set women with a snake wrapped around her PR arm and a bird on her head; two frogs at woman's feet, LRC; text at bottom

Dialectica, from "The Liberal Arts", late 16th century

Jan Sadeler I; Artist: after Maerten de Vos

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heavy, set woman wearing clinging drapery and a helmet, with her hair in two braids, holding a caduceus in her PR hand and a scroll in her PL hand, with two books at her feet; text at bottom

Rhetorica, from "The Liberal Arts", late 16th century

Jan Sadeler I; Artist: after Maerten de Vos

Not on View
seated heavy-set elderly women wearing headdress with flowers holding a staff and point to a book held by a curly-haired child standing in front of her; chicken with eggs and chicks in LLQ; text at bottom

Grammatica, from "The Liberal Arts", late 16th century

Jan Sadeler I; Artist: after Maerten de Vos

Not on View
seated woman writing with a stylus on a tablet; beads and another table on table at right; gourds on wall in URC; text at bottom

Arithmetica, from "The Liberal Arts", late 16th century

Jan Sadeler I; Artist: after Maerten de Vos

Not on View
woman wearing a headdress with two towers, measuring with a calipers on a globe; frog and snake in front of globe; text at bottom

Geometria, from "The Liberal Arts", late 16th century

Jan Sadeler I; Artist: after Maerten de Vos

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three female figures in outdoor setting with many animals and birds in background; nude woman at left with five breasts, handing a nude infant to woman at center who wears a garment with her PR breast exposed; woman at right holds a swaddled infant; text at bottom

Man is born naked, plate #1 from "The Misery of Human Life", 1563

Philips Galle; Artist: after Maarten van Heemskerck

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five walking men and a youth outdoors--from left: youth writing, man holding his PR cheek, man with a brimmed hat, man on crutches with amputated foot, man with a can wearing a wide sash, man holding a small dog on a lead; text at bottom

Man is burdened with pains and diseases, plate #3 from "The Misery of Human Life", 1563

Philips Galle; Artist: after Maarten van Heemskerck

Not on View
two women and children in an outdoor setting with many animals and birds; striding woman at left, feeding a baby held to her body by a sling; woman at center walking with a nude toddler; two crying nude children at right and a baby inside a wheeled walker; text at bottom

Man has to learn everything, plate #2 from "The Misery of Human Life", 1563

Philips Galle; Artist: after Maarten van Heemskerck

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nude man at front, seen from back, being confronted by a row of figures--five women and one man--outdoors; woman at right wearing peacock feather headdress and holding a heart-shaped vessel with a peacock feather in her PR hand; text at bottom

Man is tempted by sins, plate #4 from "The Misery of Human Life", 1563

Philips Galle; Artist: after Maarten van Heemskerck

Not on View
three figures in foreground, from left: figure with a basket and a bowl, walking with a crutch, bearded man with his wrists chained together, extending between his legs, man falling on his sword; landscape in background, with very large fire in ULC, with figure falling off cliff; text at bottom

Man is threatened by poverty, imprisonment and death, plate #5 from "The Misery of Human Life", 1563

Philips Galle; Artist: after Maarten van Heemskerck

Not on View
two men fighting with swords and shields in foreground, with two other pairs of figures in background at right; pair of lions and pair of quadrupeds (foxes?) in landscape in background; text at bottom

Man often fights, plate #6 from "The Misery of Human Life", 1563

Philips Galle; Artist: after Maarten van Heemskerck

Not on View
coat of arms with a two-headed bird behind a shield with towers, rampant lions, and fleurs-de-lis, with a dead lamb hanging from bottom center; chicken held in PR claw of two-headed bird; crown and ribbon above two-headed bird's head; ribbon at bottom of image above landscape

Allegory of the Peace of Crèpy, 1544, c. 1675

Gerard de Lairesse

Not on View
deer hunt with the story of Diana and Actaeon

Deer Hunt with the Story of Diana and Actaeon, c. 1580-1620

Flanders

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The Journey and Temptations of the Prodigal Son, wool and silk, Flemish XVc ; Warp undyed wool, 4-6 inds per cm., weft dyed wool and silk, 24-36 ends per cm.

The Journey and Temptations of the Prodigal Son, c. 1507-1540

Flanders

Not on View
from the series 'The Garden of Pomona'; central design shows allegorical figure of a woman playing a harp, attended by two female figures; border of small figures alternating with floral design

Offering to the Goddess Ceres, late 16th century

Flanders

Not on View
tapestry weave on plain weave structure; probably a fragment from a larger tapestry

Large-Leaf Verdure Tapestry Fragment with Birds, 16th century

Flanders

Not on View
one of a set of four tapestries, with woodland scene in grove of trees; the huntsmen have made a fire of logs, and one of them stands before it warming his hands, while a second dressed in crimson holds two panting brown hounds on leash. Beyond, a third hunter shields face from fire with left hand, and holds in his right a trophy of the hunt; warp undyed wool, 7½-9 ends per cm., weft dyed wool and silk, 28-40 ends per cm.

The End of the Hunt, c. 1650

Unknown designers and cartoonists, Flanders

Not on View
Set of four tapestries, with landscape scenes and figures inspired from the Hunts of Maximilian, now in the Louvre and woven after the cartoons of Bernard Van Orley, also preserved in the Louvre. Woven at sides with bases sustaining figures of putti and decorated with ram's heads. Embellishment of festoons, pendant bunches of fruits and flowers. Top border with scrolled, oblong cartouche in center, which contains a miniature landscape scene, supported by winged cherubs. Similar cartouche, with swags of fruit and flowers in bottom border. .1 Awaiting the Chase In the immediate foreground trwo huntsmen, one of whom reclines against a tree and caresses a hound. The hunters wear short doublets and broadrimmed hats. Hunters' horns are slung over their shoulders.; warp undyed wool, 7-8 ends per cm., weft dyed wool and silk, 24-40 ends per cm.

Awaiting the Chase, c. 1650

Unknown designers and cartoonists, Flanders

Not on View
One of set of four tapestries, with landscape scenes and figures inspired from the Hunts of Maximilian, now in the Louvre and woven after the cartoons of Bernard Van Orley, also preserved in the Louvre. Woven at sides with bases sustaining figures of putti and decorated with rams' heads. Embellishment of festoons, pendant bunches of fruits and flowers. Top border with scrolled, oblong cartouche in center, which contains a miniature landscape scene, supported by winged cherubs. Similar cartouche, with swags of fruit and flowers in bottom border. Hunting the Hare In immediate foreground a bearded huntsman, wearing a crimson cap, a blue doublet with half armor and short trunks, holds a spaniel in leash. He runs towards left where two hounds pursue the hare up a hill. In middle distance another huntsman, with spear, holds off two other hares.; warp undyed wool, 8-8½ ends per cm., weft dyed wool and silk, 24-36 ends per cm.

Hunting the Hare, c. 1650

Unknown designers and cartoonists, Flanders

MS

Pair of natural linen bobbin lace irregularly shaped rectangular cuffs

Cuffs, 17th-18th century

Belgium (Flanders)

Not on View
One of set of four tapestries, with landscape scenes and figures inspired from the Hunts of Maximilian, now in the Louvre and woven after the cartoons of Bernard Van Orley, also preserved in the Louvre. Woven at sides with bases sustaining figures of putti and decorated with rams' heads. Embellishment of festoons, pendant bunches of fruits and flowers. Top border with scrolled, oblong cartouch in center, which contains a miniature landscape scene, supported by winged cherubs. Similar cartouche, with swags of fruit and flowers in bottom border. Hunting the Deer Rolling countryside with sturdy elm at left. In immediate foreground a huntsman holding spear and sounding horn, in middle distance one of his companions on horseback and another on foot, pursue the deet who advances towards the left.; Warp undyed wool, 7½-8 ends per cm., waft dyed wool and silk, 24-28 ends per cm.

Women Hunting the Fox, c. 1650

Unknown designers and cartoonists, Flanders

Not on View
Double-sided; illumination on recto only; borders on all sides, top and one side narrower; solid gold (not leaf) background strewn with flowers and shadows: roses, rosebuds, columbine, iris, paquerettes, forget-me-nots, bluebells, and strawberries, and a bird; Text portion outlined with blue and narrow gold leaf, large initials foliated in red, blue and gold leaf, lettering in black and red.

Leaf from a Book of Hours (recto and verso), c. 1500

Unknown Netherlandish

Not on View
Double-sided; illumination on recto only; borders on all sides, top and one side narrower; solid gold (not leaf) background strewn with flowers and shadows: roses, rosebuds, columbine, iris, paquerettes, forget-me-nots, bluebells, and strawberries, and a bird; Text portion outlined with blue and narrow gold leaf, large initials foliated in red, blue and gold leaf, lettering in black and red.

Leaf from a Book of Hours (recto and verso), c. 1500

Unknown Netherlandish

Not on View
Tapestry. On a mille-fleur ground a knight wearing a sword and a surcoat, probably of velvet, with a design of large flowering pomegranites on a serpentine band. He carries a chalice in his right hand and a jewelled coronet in his left. Plain narrow red border badly worn. Some restoration. Partially lined with white cotton.

One of the Three Magi on a "Millefleurs" Ground, early 16th century

Unknown Flemish or French

Not on View
Tapestry; fragment from a much larger piece, although no other fragments of this tapestry or other versions are known; warp; undyed wool 6-7 ends per cm.; weft dyed wool and silk, 18-44 ends per cm.

The Virgin and Saint John, c. 1520

France or Flanders

Not on View
Double-sided; hand-illuminated with partially gilded backgrounds, a very small miniature, and borders with flowers, strawberries, and birds. Illumination depicts the vision to the shepherds, surrounded by various plants and birds.

Leaf from a Book of Hours (recto and verso), late 15th century

Possibly The School of the Master of Mary of Burgundy

Not on View

Landscape with Venus and Adonis, c. 1580-1590

Attributed to Lodewyk Toeput

Not on View

Border, 18th century

Flanders

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Lappet?, 19th century

Flanders

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Collar, 19th century

Flanders

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Border, 19th century

Flanders

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Collar, 18th century

Flanders

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Border, 19th century

Flanders

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Edging, 19th century

Flanders

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Cap, 18th century

Flanders

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Border, 17th century

Flanders

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Border, 19th century

Flanders

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Border, 18th century

Flanders

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Border, 18th century

Flanders

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Border, 18th century

Flanders

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Border, 17th century

Flanders

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Border, 19th century

Flanders

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Border, 17th century

Flanders

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Border, 19th century

Flanders

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Band, 18th century

Flanders

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Textile, 19th century

Flanders

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Panel, 19th century

Flanders

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Border, 18th century

Flanders

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Border, 18th century

Flanders

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Frontispiece. Galliae., 1585

Gerard Mercator

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Frontispiece. Galliae., 1590

Gerard Mercator

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Map of Scythia. Asiae VIII Tab., 1590

Gerard Mercator

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Frontispiece. Germaniae., 1585

Gerard Mercator

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Section Title Page for Germaniae, 1585

Gerard Mercator

Not on View

Frontispiece. Galliae., 1585

Gerard Mercator

Not on View

Frontispiece. Belgii in Ferioris., 1585

Gerard Mercator

Not on View

Border, 18th century

Flanders

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Border, 18th century

Flanders

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Frontispiece. Italiae, Sclavoniae, et Graechiae., 1590

Gerard Mercator

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Frontispiece. Germaniae., 1585

Gerard Mercator

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Map of Parthia. Asiae IX Tab., 1590

Gerard Mercator

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Map of Thrace, 1570

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

Map of Laodensis, 1570

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

Map of Italy, 1570

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

Parergon, c. 1624

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

Map of the Eastern Hemisphere, 1570

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

Initial O, 1570

Abraham Ortelius; Publisher: Plantin

Not on View

Title Page from Theatrum orbis terrarum, 1595

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

Parergon, 1570-1612

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

Section Title Page for Belgii Inferioris, 1585

Gerard Mercator

Not on View

Frontispiece. Galliae., 1585

Gerard Mercator

Not on View

Frontispiece. Belgii in Ferioris., 1585

Gerard Mercator

Not on View

Parergon, c. 1597

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

Map of Fez and Morocco, 1570

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

Title Page, 1570-1612

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

Initial V, 1570

Abraham Ortelius; Publisher: Plantin

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Memorial Page to Ortelius, 1570-1612

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

Nomenclator Ptolemaicus, 1595

Abraham Ortelius; Publisher: Plantin

Not on View

Map of Cyprus, 1570

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

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Initial S, 1570

Abraham Ortelius; Publisher: Plantin

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Portrait of Ortelius, 1570-1612

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

Not on View

Nomenclator from "Theatrum Orbis Terrarum", 1570-1612

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

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Dedicated to King Philip of Spain (Verso, Title Page), 1570-1612

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

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Map of Ischia, 1570

Abraham Ortelius; Engraver: Frans Hogenberg; Publisher: Plantin

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Theodorus Galle, 1630s

Lucas Vorsterman, the Elder; Artist: after Anthony van Dyck

Not on View

The Following of Christ, 1616

Thomas Ă  Kempis; Publisher: Henry Iaye

Not on View

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